![Gamma1734](/img/default-banner.jpg)
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Gamma1734
Austria
Приєднався 20 вер 2009
I am Julian and in my 20s. I am a doctor of mathematics and play piano as a hobby. I am an amateur pianist, but always with an ambition to improve.
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Please note eMails are about BUSINESS inquiries. THANK YOU
***
Who plays?
- I play in these videos, in every single one of them on this channel.
How do you find new music?
- Check out ua-cam.com/video/xg74ZGNTv0c/v-deo.html
What do you like to play most?
- In this channel I mainly play obscure and forgotten piano music which almost nobody performs nowadays anymore, mostly romantic music. But in my free time I play pretty much everything from Renaissance to Avant-Garde.
Support me by PayPal. I am happy about every donation, thanks for your support!
www.paypal.me/gamma1734
***
Please note eMails are about BUSINESS inquiries. THANK YOU
***
Who plays?
- I play in these videos, in every single one of them on this channel.
How do you find new music?
- Check out ua-cam.com/video/xg74ZGNTv0c/v-deo.html
What do you like to play most?
- In this channel I mainly play obscure and forgotten piano music which almost nobody performs nowadays anymore, mostly romantic music. But in my free time I play pretty much everything from Renaissance to Avant-Garde.
Support me by PayPal. I am happy about every donation, thanks for your support!
www.paypal.me/gamma1734
Alexander Spendiarov | Berceuse, Op.3/2
Spendiarov, Spendiaryan - Armenian and Soviet music composer, conductor, founder of Armenian national symphonic music (1871-1928). In 1890 he went to Moscow and studied for one year in the Natural Sciences faculty of Moscow University, and then in 1894 he graduated from the Law faculty. At the same time he continued his violin classes. In 1896 Alexander Spendiarov went to St. Petersburg to show his compositions to Nikolai Rimsky-Korsakov, who greatly admired his music and encouraged him to turn deeper into his people's folklore. From 1896 to 1900 he took private composition lessons with Rimsky-Korsakov. According to Alexander Glazunov, "Rimsky-Korsakov was perfectly satisfied with the results of Alexander Spendiarov's work and considered him a serious, talented composer with a great flair for composition". In 1916 Spendiarov performed in Tiflis, where he met poet Hovhannes Tumanian and decided to write an opera based on "The Capture of Tmkabert" poem. In 1916 the libretto of Almast opera was ready, and Spendiarov began work on the opera, and finished the opera's vocal score in 1923. He continued his work on the instrumentation right up to his death. Spendiarov died after a short illness in Yerevan in 1928. He is buried in the yard of Yerevan State Opera and ballet Theatre. A death mask of his face and right hand is exhibited in his House Museum. "What he gave us is immortal", said poet Avetik Isahakyan about Spendiarov.
Composer Aram Khatchaturian said of his predecessor, "I am profoundly convinced that Spendiarov and Komitas are the patriarchs of Armenian classical music; they have charted the principal trends in the evolution of Armenian musical art for many decades to come." Spendiarov and Aram Khatchaturian met for the first time in Moscow. Spendiarov appreciated the potential in the young composer. Spendiarov had a brother, Leonid, and three sisters.
Composer Aram Khatchaturian said of his predecessor, "I am profoundly convinced that Spendiarov and Komitas are the patriarchs of Armenian classical music; they have charted the principal trends in the evolution of Armenian musical art for many decades to come." Spendiarov and Aram Khatchaturian met for the first time in Moscow. Spendiarov appreciated the potential in the young composer. Spendiarov had a brother, Leonid, and three sisters.
Переглядів: 723
Відео
César Cui | Prelude in A flat
Переглядів 1,6 тис.2 години тому
Cesar Cui was born in 1835 in Vilnius (today) Lithuania. He has french, polish and lithuanian descent and is a russian composer. As a boy in Vilnius he received piano lessons, studied Chopin's works, and began composing little pieces at fourteen years of age. Among the many musicians Cui knew in his life, Franz Liszt looms large. In the late 1880s and early 1890s several foreign musical societi...
Alexander Glazunov | Barcarolle, Op.22/1
Переглядів 2,2 тис.4 години тому
Composed in 1889. It's one of the pieces I had in store for a long time, but never managed to make a video of. It's really quite hard to play. Here's my attempt of a performance. "Glazunov's musical development was paradoxical. He was adopted as an idol by nationalist composers who had been largely self-taught and, apart from Rimsky-Korsakov, were deeply distrustful of academic technique. Glazu...
Gustav Lange | Nocturne "Thine Own"
Переглядів 2,9 тис.9 годин тому
Gustav Lange (not Gustav Fredrik Lange...) (1830-1889) was a German composer known mainly for his melodious salon music for the piano. Lange was born in Schwerstedt, near Erfurt, Prussian Saxony, in 1830. He received initial musical training from his father on the piano and organ, followed by conservatory studies in piano, organ, thorough bass, and composition - probably at the Royal Institute ...
Francis Thomé | Simple Aveu
Переглядів 2,4 тис.12 годин тому
Francis Thomé (1850 - 1909), was a French pianist and composer. He was born in Port Louis, Mauritius, and studied at the Paris Conservatoire with Jules Duprato and Ambroise Thomas. After leaving the Conservatoire, he became well known as a composer of salon pieces and was in demand as a pianist and teacher. His music was particularly successful in the French provinces, and two of his operas wer...
Albert Loeschhorn | Good Night
Переглядів 2,5 тис.14 годин тому
Loeschhorn (1819-1905) was a German composer, pianist and piano pedagogue. He taught in Berlin. Löschhorn took piano lessons with Ludwig Berger from 1837 and studied composition at the Royal Music Institute of Berlin after Berger's death (1839) with August Wilhelm Bach and Eduard Grell and piano with Berger's pupil Rudolph Killitschgy. After Killitschgy's death (1851), he took over his post as ...
Ede Poldini | Poupée Valsante
Переглядів 2 тис.14 годин тому
Ede Poldini (1869 - 1957) was a Hungarian composer of the late romantic / early modern period. Famous in Hungary for writing many operas, he became internationally famous when Fritz Kreisler transcribed his piano piece "La poupée valsante" for violin. Poldini studied with István Tomka in Budapest and with Eusebius Mandyczewski in Vienna. In 1908 he settled in Switzerland, writing two of his mor...
Jules Massenet | Mélodie, Op.10
Переглядів 2,5 тис.16 годин тому
Jules Massenet (1842 - 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, t...
Benjamin Godard | Au Matin
Переглядів 2,2 тис.16 годин тому
Godard (1849-1895) was a French violinist and composer, composing eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. Godard's long list of works includes five symphonies: Symphonie gothique (1883), Symphonie orientale (1884), and Symphonie légendaire (1886); Concerto romantique...
Erik Meyer-Helmund | Mazurka, Op.40/2
Переглядів 1,6 тис.16 годин тому
Erik Meyer-Helmund (St Petersburg 1861 - 1932 in Berlin) was a Berlin-based composer and singer. His song "Flirtation" was recorded by John McCormack, and his "Gute Nacht, mein holdes, süßes Mädchen" by Nicolai Gedda and Fritz Wunderlich. Helen Tretbar translated several of his lieder from German into English. Pupil of Friedrich Kiel and Julius Stockhausen. Operas „Die beiden Klingsberg“ and „D...
Benjamin Godard | Berceuse (Jocelyn)
Переглядів 2,1 тис.19 годин тому
Godard (1849-1895) was a French violinist and composer, composing eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes, around 2 years after composing this set of etudes, which consists of 4 books of increasing difficulty (the last book entitled...
Moritz Moszkowski | Mélodie, Op.18/1
Переглядів 2,7 тис.19 годин тому
Moritz Moszkowski (1854 - 1925) was a German composer, pianist, and teacher of Polish-Jewish descent. His brother Alexander Moszkowski was a famous writer and satirist in Berlin. Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." Although less known today, Moszkowski was well respected and ...
Ole Olsen | Serenade, from 3 Morceaux, Op.19/2
Переглядів 2,2 тис.21 годину тому
Published 1883. Olsen (1850-1927) was a Norwegian organist, composer, conductor and military musician born in Hammerfest, Finnmark. From a young age Olsen learnt to play the piano and the violin. At the age of five he composed his first small piece, and by the age of seven he sometimes stood in for his father playing the church pipe organ. In 1865 Olsen went to Trondheim as apprentice to a craf...
Alexander Ilyinsky | Cradle Song, Op.13/7 (From "Noure and Anitra" Suite)
Переглядів 1,9 тис.21 годину тому
Alexander Ilyinsky (1859 - 1920) was a Russian music teacher and composer, best known for the Lullaby (Berceuse), Op. 13, No. 7, from his orchestral suite "Noure and Anitra", and for the opera The Fountain of Bakhchisaray set to Pushkin's poem of the same name. His music studies were in Berlin, under Theodor Kullak and Natanael Betcher at the Berlin Conservatory, and under Woldemar Bargiel at t...
Cécile Chaminade | Scarf Dance
Переглядів 1,5 тис.21 годину тому
She was a french composer and concert pianist (1857-1944). Chaminade experimented in composition as a young child, composing pieces for her cats, dogs and dolls. In 1869, she performed some of her music for Georges Bizet, who was impressed with her talents. In 1878, Chaminade gave a salon performance under the auspices of her professor, Le Couppey, consisting entirely of her compositions. This ...
Philipp Scharwenka | Moment Musical
Переглядів 2,8 тис.14 днів тому
Philipp Scharwenka | Moment Musical
Anton Arensky | Essay on Forgotten Rhythm "Sari", Op.28/4
Переглядів 4,9 тис.14 днів тому
Anton Arensky | Essay on Forgotten Rhythm "Sari", Op.28/4
Nikolai Tcherepnin | Prélude, Op.18/3
Переглядів 2,1 тис.14 днів тому
Nikolai Tcherepnin | Prélude, Op.18/3
Anton Yulyevich Simon | Tristesse, Op.10/9
Переглядів 4,1 тис.21 день тому
Anton Yulyevich Simon | Tristesse, Op.10/9
I appreciate it when I see Piano pieces where both staffs have two voices. Does it give us a bit more work? Yes. But the more complete harmony is very pleasurable to hear.
Your interpretations always have remarkable clarity, and your tone is consistently beautiful throughout as well as your phrasing. Your uploads are always a joy to listen to! I'd also like to ask what kind of piano you have, as in some moments the tone in the lower register has an extraordinary quality, almost that of a hammered dulcimer or a harpsichord (for example the LH from 1:45 - 1:48). Again, thank you for the upload :)
🍃🍂
A lovely piece...!
Спасибо!❤
Beautiful Song and performance 🎹👏
❤❤❤
Отличное battement fondu для классического тренажа.
0:25 Why is there E natural if it is in G minor and otherwise not indicated? I'm interested because I'm playing this piece and I use flat there.
It exhales à sort of perfume that comes from old Russia.
Why do you keep anonymous, "Julian" ? It's so pity! One could doubt an AI robot is playing this music ...
Fantastic!! 👏👏👏👏
1:58 It seems that he was inspired here by Chopin's 11th Etude.
Großartig interpretiert. Danke für teilen.
Cesar Cui earned a brief mention in a Russian Music History course I took in college. I remember thinking that his music was quite well constructed. This performance agrees with what I remember. The most interesting thing to me, following along with the score, is how unimportant the barlines feel. The music just floats. That's a good thing!
Для меня это произведение кажется гармонически насыщенным и трудным в исполнении. Но у вас оно звучит великолепно!👏👍🎶🥰🌺
Please play Nocturne no 06 by Manoel Faulhaber and Devaneando by Ernani Braga, two Brazilian brilhant composers. Those pieces are amazing!
Very tonally rich piece.
Although there is indeed something that makes me think of Chopin, this work is lovely in its own right. Lovely performance but there is no news there. Thank you.
Not much is known about this composer. So, thank you for reminding me he existed. This composition is unassuming and pretty.
I like the tenderness of the melodies. It's so refreshing and pleasing. Thanks so much your sharing.
0:03 Chopin's Ballade No. 3 quote :)
Beautiful
agree
Quite an unusual piece
You have captured a kind of crystalline innocence that puts chills down my spine, somehow combined with a pastoral sensation of brilliance and joy... I feel the flower petals in my hands, I smell the summer breeze. You don't make it sound easy, that would be an insult in this context. it IS very difficult but it's so rewarding to hear after such hard work. One of your best interpretations. Glazunov is very special and you brought his personality out so well.
@@ianwilliams2632 thanks for your feedback, I'm glad to hear it!
So many better recordings -- Kirsten Johnson ua-cam.com/video/Ft4Q9nIWMEs/v-deo.html ; Joanne Polk ua-cam.com/video/jG1CsP91vLY/v-deo.html Here peddle turns things to mush and tempos are erratic
Cette pièce de M. Gennady Lukinykh me touche directement au coeur et à l'âme. C'est tellement beau que les larmes montent aux yeux. Merci! Gamma1734 de nous partager son oeuvre. Il excelle dans tous les genres. Quel talent! Quant à vous Gamma, vous êtes mon pianiste préféré.
Gosh, what a delightful piece.
hat mich serh beeindruckt, vielen Dank. Auch der Text zu Glasunov - sehr erhellend.
@@guidokorbach danke fürs vorbeischauen!
Beautiful Song
Danke für die schöne Mazurka 🌹
Волшебно! Прозрачная чистота небес с лёгкими облачками, отражающаяся в зыбком колыхания невской волны. Мечты..... 👏👏👏👏👏💖😍
Прекрасное исполнение!❤ Какое же замечательное настроение было у композитора в момент его творчества. Скорее всего жто был экспромт..? Все хрустльное ,светлое и струящееся! Гениальная музыка ❤
Great interpretation of this joyful barcarolle with all voices singing independently and each one perfectly melt in a coherent structure
@@pietrolandri6081 especially towards the end it gets really .. fluffy. but theres always the melody sticking Out (somewhere)
@@PianoScoreVids Yessssss
Excellent, I haven't listened to much Glazunov at all but I like this !
@@Bruceykeys yes, to me this Sounds sooo glazunov :)
@@PianoScoreVids I'll take your word for it :) do you have any suggestions of solo piano works by him please ?
@@Bruceykeys Mazurka OP.25/2 honestly is one of my favorites
трясця, я обожнюю цю п'єсу. огидно, від факту, що ця пєєса мало відома, як і багато яка інша українська музика
Can you give me the sheet?
did you play this? the audio quality sounds amazing
Hearing pieces like this makes one wonder why Godard isn’t more celebrated and his pieces aren’t played more often. Some are, but not enough. I guess he just ‘went out of fashion’. Maybe with your help, he can become popular again.
Beautiful little gem and extremely playable, unlike quite a few of his works. The E major (2nd) concerto is an absolute nightmare to perform!! Even with a good orchestra, trying to keep it all together requires sooo much concentration.
👏👏👏👏👏👏👏 😍💖😍
Восхитительно! Я послушала этот ноктюрн три раза подряд и у меня ощущение, что мне не утолить жажду этим произведением! Манящие звуки, прекрасный вечер с алым заходящим солнцем и нежные дуновения ветерка, создаваемые плавным покачиванием веера. Благодарю за прекрасное исполнение произведения мне неизвестного, но вызывающие странные чувства знакомого и узнаваемого. Волшебно! 👏👏👏👏👏😍💖
love this piece, by the way
glad, that you reuploaded this
J’aime beaucoup, beaucoup, ce compositeur. Merci de nous partager son œuvre. Vous êtes un très bon pédagogue. Merci infiniment ❤️
I've fallen deeply madly in love with this piece 💕💕 feels like it's begging me to listen n to understand...this is a masterpiece of emotions ❤ superbly played 😊 Big thank you to the composer too ❤
💝💗💖❤️🩹❤️💜💙🤍 ..
Просто феерично!!!❤ Спасибо огромное за доставленное удовольствие!
This nocturne clearly was heavily influenced by Chopin's Op. 32 No. 2. That piece was also in A-flat, contrasted the main key with D-flat minor, featured a chordal middle section, and was in 12/8 time. It's sad that most of Chopin's influence is seen in pieces that deserve to be remembered, like this one, but are now mostly forgotten despite being just as beautiful in their own right. It's fun to see the subconscious little homages composers pay to each other, like all the obvious little things Brahms does that show how he learned from Schumann.
Lovely
Esquisse in Modo Dorien is Good Ukrainian Music